Matthew Griffin, described as “The Adviser behind the Advisers” and a “Young Kurzweil,” is the founder and CEO of the World Futures Forum and the 311 Institute, a global Futures and Deep Futures consultancy working between the dates of 2020 to 2070, and is an award winning futurist, and author of “Codex of the Future” series. Regularly featured in the global media, including AP, BBC, CNBC, Discovery, RT, and Viacom, Matthew’s ability to identify, track, and explain the impacts of hundreds of revolutionary emerging technologies on global culture, industry and society, is unparalleled. Recognised for the past six years as one of the world’s foremost futurists, innovation and strategy experts Matthew is an international speaker who helps governments, investors, multi-nationals and regulators around the world envision, build and lead an inclusive, sustainable future. A rare talent Matthew’s recent work includes mentoring Lunar XPrize teams, re-envisioning global education and training with the G20, and helping the world’s largest organisations envision and ideate the future of their products and services, industries, and countries. Matthew's clients include three Prime Ministers and several governments, including the G7, Accenture, Bain & Co, BCG, Credit Suisse, Dell EMC, Dentons, Deloitte, E&Y, GEMS, Huawei, JPMorgan Chase, KPMG, Lego, McKinsey, PWC, Qualcomm, SAP, Samsung, Sopra Steria, T-Mobile, and many more.
WHY THIS MATTERS IN BRIEF
The ability to change products colours and patterns dynamically opens up a whole new range of opportunities for personalisation.
The color-changing capabilities of chameleons have long bewildered willing observers. The philosopher Aristotle himself was long mystified by these adaptive creatures, but while humans can’t yet camouflage much beyond a green outfit to match grass, in spite of recent nanotech and metamaterial developments that could lead to the first true invisibility cloak that bends light around it, inanimate objects are another story.
Now a team from MIT has brought us closer to this chameleon-like reality and unveiled a new system that uses reprogrammable ink to let objects change colors on demand when exposed to ultraviolet (UV) and other visible light sources.
Dubbed “PhotoChromeleon,” the system uses a mix of photochromic dyes that can be sprayed or painted onto the surface of any object to change its color, and it’s a fully reversible process that can be repeated infinitely. Furthermore, PhotoChromeleon can be used to customize anything from a phone case to a car, or clothes and shoes that might need an update.
“This special type of dye could enable a whole myriad of customization options that could improve manufacturing efficiency and reduce overall waste,” says MIT postdoc Yuhua Jin, the lead author on a new paper about the project. “Users could personalize their belongings and appearance on a daily basis, without the need to buy the same object multiple times in different colors and styles.”
PhotoChromeleon builds off of the team’s previous system, “ColorMod,” that I reported on a while ago which uses a 3D printer to fabricate items that can change their color. Frustrated by some of the limitations of this project, such as small color scheme and low-resolution results, the team then decided to look into ways they could improve it.
With ColorMod, each pixel on an object needed to be printed, so the resolution of each tiny little square was somewhat grainy. As far as colors, each pixel of the object could only have two states: transparent and its own color. So, a blue dye could only go from blue to transparent when activated, and a yellow dye could only show yellow. But with PhotoChromeleon’s ink, you can create anything from a zebra pattern to a sweeping landscape to multi-colored fire flames, with a larger host of colors.
The team created the ink by mixing cyan, magenta, and yellow (CMY) photochromic dyes into a single sprayable solution, eliminating the need to painstakingly 3D print individual pixels. By understanding how each dye interacts with different wavelengths, the team was able to control each color channel through activating and deactivating with the corresponding light sources.
Specifically, they used three different lights with different wavelengths to eliminate each primary color separately. For example, if you use a blue light, it would mostly be absorbed by the yellow dye and be deactivated, and magenta and cyan would remain, resulting in blue. If you use a green light, magenta would mostly absorb it and be deactivated, and then both yellow and cyan would remain, resulting in green.
After coating an object using the solution, the user simply places the object inside a box with a projector and UV light. The UV light saturates the colors from transparent to full saturation, and the projector desaturates the colors as needed. Once the light has activated the colors, the new pattern appears. But if you aren’t satisfied with the design, all you have to do is use the UV light to erase it, and you can start over.
They also developed a user interface to automatically process designs and patterns that go onto desired items. The user can load up their blueprint, and the program generates the mapping onto the object before the light works its magic.
The team tested the system on a car model, a phone case, a shoe, and a little toy chameleon. Depending on the shape and orientation of the object, the process took anywhere from 15 to 40 minutes, and the patterns all had high resolutions and could be successfully erased when desired.
“By giving users the autonomy to individualize their items, countless resources could be preserved, and the opportunities to creatively change your favorite possessions are boundless,” says MIT Professor Stefanie Mueller.
While PhotoChromeleon opens up a much larger color gamut, not all colors were represented in the photochromic dyes. For example, there was no great match for magenta or cyan, so the team had to estimate to the closest dye. They plan to expand on this by collaborating with material scientists to create improved dyes.
“We believe incorporation of novel, multi-photochromic inks into traditional materials can add value to Ford products by reducing the cost and time required for fabricating automotive parts,” says Alper Kiziltas, a technical specialist of sustainable and emerging materials at Ford who’ve been working with MIT on the technology. “This ink could reduce the number of steps required for producing a multi-color part, or improve the durability of the color from weathering or UV degradation. One day, we might even be able to personalize our vehicles on a whim.”