One day AI’s will be able to create photorealistic video content of anything and everything all by themselves, this is one step in that journey.


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Recently Artificial Intelligence (AI) and so called Creative Machines have learned a whole host of new tricks when it comes to photorealistic  synthetic video creation, including everything from being able to generate video from just a plain text description and realistic DeepFake full body and video content, through to being able to “predict the future” and create the video content that happened next after being shown just a single photo, for example in a bike race. And now, with respect to that latter breakthrough which happened last year, a team from Google has now published details of a new breakthrough Machine Learning system that can “Hallucinate clips,” in other words create the video content that would come in the middle of a sequence, by just being given a start and an end frame. And that’s something that even humans would struggle to do. Furthermore, while you’ll likely look at the videos and think they’re short and small, don’t forget tech accelerates rapidly so tomorrow this tech will be dramatically improved and competing with your children for video creation jobs, and more.


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The inherent randomness, complexity, and information denseness of videos naturally means that modelling realistic video clips at scale, and that last for a long period of time, remains something of a “grand challenge” for AI. But as developments like all of those mentioned above gather momentum and combine together it’s simply a question of when, not if, we get to the point where AI can produce full blown adverts and movies by itself, and that will be a revolution in content creation.

Despite these challenges though the team at Google Research say they’ve “made progress with novel networks that are able to produce diverse and surprisingly realistic frames” from open source video data sets at scale.


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They describe their method in a newly published paper on the preprint server Arxiv.org “Scaling Autoregressive Video Models,” and on a webpage containing selected samples of the model’s outputs.

“[We] find that our [AI] models are capable of producing diverse and surprisingly realistic continuations on a subset of videos from Kinetics, a large scale action recognition dataset of videos exhibiting phenomena such as camera movement, complex object interactions, and diverse human movement,” wrote the coauthors. “To our knowledge, this is the first promising application of video-generation models to videos of this complexity.”


Video created from static images using the Kinetics data set


The researchers’ systems are auto-aggressive, meaning they generate videos pixel by pixel, and they’re built upon a “Generalization of Transformers,” a type of neural network architecture first introduced in a 2017 paper “Attention Is All You Need“ that was co-authored by scientists at Google Brain. As with all deep neural networks, Transformers contain neurons, or functions, that transmit “signals” from input data and slowly adjust the synaptic strength, or weights, of each connection, in much the same way the human brain does.


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Uniquely, Transformers have attention, such that every output element is connected to every input element and the weightings between them are calculated dynamically. It’s this property that enables the video-generating systems to efficiently model clips as 3D volumes, rather than sequences of static 2D still frames, and “drives the direct interactions between representations of the videos’ pixels across dimensions.”


Video created from static images using the BAIR data set


To maintain a manageable memory footprint and create an architecture suited to Tensor Processing Units, (TPUs), Google’s custom designed AI workload accelerator chipsets, the researchers combined the Transformer derived architecture with approaches that generate images as sequences of smaller, sub-scaled image slices. Their models then produced “slices,” which are sub-sampled lower-resolution videos, by processing partially masked video input data with an encoder, the output of which is used as conditioning for decoding the current video slice. After a slice is generated, the padding in the video is replaced with the generated output and the process is repeated for the next slice. And so on and so on until the system has created a video.

In experiments the team modelled slices of four frames by first feeding their AI systems video from the BAIR Robot Pushing robot data set, which consists of roughly 40,000 training videos and 256 test videos showing a robotic arm pushing and grasping objects in a box. Next they applied the models to down sampled videos from the Google DeepMind Kinetics-700 data set, a large scale action recognition corpus of data containing about 400,000 YouTube videos across 600 action classes, and their smaller models were trained for 300,000 steps, while larger ones were trained for 1 million steps. And the qualitative results were good.


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The team reports seeing “highly encouraging” generated videos for limited subsets such as cooking videos, which they note feature camera movement and complex object interactions like steam and fire and which cover diverse subjects.

“This marks a departure from the often very narrow domains discussed in the video generation literature to date, such as artificially generated videos of moving digits or shapes,” wrote the researchers, “or videos depicting natural, yet highly constrained environments, such as robot arms interacting with a small number of different objects with a fixed camera angle and background.”

They concede that the models struggle with nuanced elements though, such as human motion and fingers and faces, but those failures will be solved in time, and those shortcomings aside, they claim “state-of-the-art results in video generation” and believe they “have demonstrated an aptitude for modelling clips of an unprecedented complexity.”


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So while this is one big step for the creation of true synthetic video content creation in the future, it’s one big step in a very long journey. But that said, as more of these experiments come to light,  and the more successful they become, the closer we’ll get to the day when the way we produce video will change forever, and when a system like this is combined with the aforementioned text to video system then that means we’ll all be able to produce our very own video clips, or movies, with nothing more than just a keyboard and a smartphone. And that will be awesome!

About author

Matthew Griffin

Matthew Griffin, described as “The Adviser behind the Advisers” and a “Young Kurzweil,” is the founder and CEO of the World Futures Forum and the 311 Institute, a global Futures and Deep Futures consultancy working between the dates of 2020 to 2070, and is an award winning futurist, and author of “Codex of the Future” series. Regularly featured in the global media, including AP, BBC, Bloomberg, CNBC, Discovery, RT, Viacom, and WIRED, Matthew’s ability to identify, track, and explain the impacts of hundreds of revolutionary emerging technologies on global culture, industry and society, is unparalleled. Recognised for the past six years as one of the world’s foremost futurists, innovation and strategy experts Matthew is an international speaker who helps governments, investors, multi-nationals and regulators around the world envision, build and lead an inclusive, sustainable future. A rare talent Matthew’s recent work includes mentoring Lunar XPrize teams, re-envisioning global education and training with the G20, and helping the world’s largest organisations envision and ideate the future of their products and services, industries, and countries. Matthew's clients include three Prime Ministers and several governments, including the G7, Accenture, Aon, Bain & Co, BCG, Credit Suisse, Dell EMC, Dentons, Deloitte, E&Y, GEMS, Huawei, JPMorgan Chase, KPMG, Lego, McKinsey, PWC, Qualcomm, SAP, Samsung, Sopra Steria, T-Mobile, and many more.

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